50 Favourite Musicals: 15: SHOW BOAT (1927) (Jerome Kern / Oscar Hammerstein II, PG Wodehouse)

The 50 shows that have stood out down the years and, as we get up among the paint cards, the shows that have become the cast recording of my life:

 First performed: 1927, Ziegfeld Theatre, NY

First seen by me: London Palladium, 1991

Productions seen: two

Score: Jerome Kern / Oscar Hammerstein II, P.G. Wodehouse
Book: Oscar Hammerstein II

Plot: The lives and loves of the performers on Capt'n Andy's show boat "The Cotton Blossom" as it sails up and down the Mississippi River span 40 years and the evolving styles of American popular entertainment...

Five memorable numbers: OL' MAN RIVER, CAN'T HELP LOVIN' DAT MAN, MAKE BELIEVE, BILL, LIFE UPON THE WICKED STAGE

You would have thought that the show acknowledged to be the one that first presented a narrative with a fully integrated score and believable characters - not just an evening of skits, songs and production numbers or imported European operetta - would be handled with more respect but no, SHOW BOAT has been revised and rewritten with practically every revival on stage or screen.  Incidentally how interesting that the original SHOW BOAT was produced by Florenz Ziegfeld whose splashy revues were wiped away in the coming years by Musical Comedy productions.  The story stays the same - professional gambler Gaylord Ravanel meets aspiring actress Magnolia Hawks aboard her father's show boat and they marry unhappily ever after - but songs are dropped to be added to the film to be added to the revival to be dropped again etc. etc.  However, no matter what version you see the magic always happens - Edna Ferber's original characters are all sympathetically drawn by Hammerstein and you are never far away from a cracking song whatever the production. 

My first voyage on the SHOW BOAT was James Whale's 1936 film version with the excellent cast of Irene Dunne as Magnolia, Helen Morgan repeating her original stage role as Julie Laverne the Cotton Blossom's leading lady who has to leave when it is revealed that she is half-black, Hattie McDaniel as the boat's cook Queenie and the legendary Paul Robeson as her husband Joe.  Incidentally 'Joe' was written for Robeson but because Ziegfeld's production was delayed he had to withdraw because of other commitments, he played it instead in the original London production.  I first saw it onstage in 1991 when Ian Judge directed an RSC & Opera North co-production at the London Palladium with a memorable cast of Jan Hartley (Magnolia), Bruce Hubbard (Joe), Marilyn Cutts (Julie), David Healy (Cap'n Andy), Karla Burns (Queenie) and Margaret Courtenay (Parthy).  It was a wonderful production that made me realize the show's power.  Then in 2016 Daniel Evans directed an excellent revival for the Sheffield Crucible which later transferred to the New London Theatre for a shamefully short run.  At the Crucible the show had lovely performances from Michael Xavier (Gaylord), Gina Beck (Magnolia), Allan Corduner (Cap'n Andy), Emmanuel Kojo (Joe), Sandra Marvin (Queenie), Danny Collins (Frank) and particularly Rebecca Trehearn's haunting Julie - the character has my two favourite numbers from the show "Can't Help Lovin' Dat Man" and "Bill" (originally written by Kern with PG Wodehouse in 1917).  It was wonderful to experience SHOW BOAT on stage again, and it proved that a historical milestone from 1927 can be as vital, touching and entertaining as ever.

Again I am confronted with there being so many fabulous songs in SHOW BOAT over so many productions... which to choose?  I kept returning to this, a promo for the New London production with Rebecca Trehearn showing why she won the Olivier Award for Best Supporting Actress In A Musical for playing tragic Julie and delivering such a thrilling version of "Bill"...

Dvd/150: SHOW BOAT (James Whale, 1936)

The year after James Whale directed BRIDE OF FRANKENSTEIN he made something totally different but equally memorable, his adaptation of Jerome Kern and Oscar Hammerstein's 1927 landmark musical SHOW BOAT.

The musical, based on Edna Ferber's novel, was the first to mesh a plot and fully integrated score and had already been filmed in 1929 with a couple of sound scenes and music from the show included in it's prologue.

Whale cast several actors who had appeared in stage versions of the show: Irene Dunne as Magnolia, Helen Morgan as Julie, Charles Winninger as Cap'n Andy, Sammy White as Frank Schultz and the mighty Paul Robeson as Joe.

Also cast were Allan Jones as Gaylord Ravenal, Hattie McDaniel as Queenie and Helen Westley as Parthy.  They all give sparkling, memorable performances - a particular joy is to see Robeson and McDaniel effortlessly stealing the film with their larger-than-life personas. 

Shelf or charity shop?  My friend John went to such efforts to get me this Spanish dvd I have to keep it (I would anyways...)

Dvd/150: DINNER AT EIGHT (George Cukor, 1933)

Made the year after MGM's similarly all-star GRAND HOTEL but far more enjoyable!

Based on George S. Kaufman and Edna Ferber's play, George Cukor's deft direction melds the different styles of the cast into a seamless treasure.

Ailing Lionel Barrymore secretly faces financial ruin but his snobbish wife Billie Burke insists on hosting a dinner for a British lord. Barrymore's former amour, actress Marie Dressler needs to sell her stock in his company and competitor Wallace Beery is eager to buy them to shut the business down.  However his scheming wife Jean Harlow is determined he won't ruin her chance of entering society.

Burke invites drunken actor John Barrymore - art imitating life - unaware that her daughter is his lover.  But when his agent Lee Tracy makes him face reality, everything changes for the worse.

Stars and supporting cast deliver 100% but Harlow is iridescent in her satin and fur.

Shelf or charity shop? Whoever heard of a society dinner in a charity shop??