1) NAKED MAN STANDING (1505-6?) - Michelangelo
Although this postcard is published by the Louvre I have an idea I bought it at the British Museum in 2010 for their Italian Renaissance Drawings exhibition.
Michelangelo's pen and ink sketch wonderfully conjures solidity and muscle out of thin air; even The Louvre are unsure of exact dates for the drawing or what it might have been a sketch for.
2) THE ARTIST'S GARDEN AT GIVERNY (1900) - Claude Monet
A bed of vibrantly painted Irises lead you away from the painter to the seclusion of the tree-lined path by his house; another painting I just want to jump into!
3) LILY POND TABLE (1913) - Duncan Grant
The table design is attributed to Duncan Grant and I bought the postcard at The Courtauld Gallery's 2009 exhibition "Beyond Bloomsbury: Designs of The Omega Workshops". It was a poor excuse for the actual table itself but I would have had difficulty hiding it under my coat.
This lustrous design really stood out against all the other exhibits and suggested the dark cool water beneath the lovely greens and oranges of the lily pads. Roger Fry set up the Omega Workshop in Bloomsbury to give younger artists the opportunity to make art (and money) by designing and making objects for the home, surrounding yourself with beautiful furniture as well as paintings on the wall. Along with Grant, artists who worked on and off for Omega in it's six years of trading were Vanessa Bell, Carrington, Paul Nash and Henri Gaudier-Brzeska.
4) DAVID TRIBUNE (1501-4) - Michelangelo
Another postcard from the Galleria dell'Accademia in Florence where Michelangelo's epic David stands in solitary majesty. As you can see I do love a Michelangelo bloke in the nip.
DAVID was originally placed in the Piazza della Signoria beside the Palazzo Vecchio. It stayed there for 369 years until it was moved to the Galleria in 1873. One of the most famous bums in art.
5) PORTRAIT OF JEANNE KÉFER (1885) - Fernand Khnopff
I bought this a while ago at the Royal Academy's exhibition IMPRESSIONISM TO SYMBOLISM: THE BELGIAN AVANT-GARDE 1880-1900. I love the charming delicacy of the painting of little Jeanne Kefér, dressed in her best to go out. The subdued colours of Khnopff's palette gives the picture an oddly luminous quality.
Five year-old Jeanne was the daughter of Khnopff's pianist friend Gustave; his positioning her in front of the large front door, along with her pensive expression, emphasizes her hesitancy in facing the outside world.
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