The 50 shows that have stood out down the years and,
as we get up among the paint cards, the shows that have become the cast
recording of my life:
First performed: 2006, Stratford East, London
First seen by me: 2008, Barbican, London
Productions seen: one
Score: Jimmy Cliff / Frederick Hibbert / various
Book: Perry Henzell
Plot: Country boy Ivan arrives in Kingston, Jamaica to seek his fortune but finds life hard. He lands a recording contact with a crooked record producer but the producer short-changes him. He starts smuggling cannabis with a friend which alerts the police to him. Ivan is soon Kingston's Most Wanted Man but when the record publisher puts out Ivan's records to cash in, he becomes a Robin Hood figure to the public... but the police are closing in...
Score: Jimmy Cliff / Frederick Hibbert / various
Book: Perry Henzell
Plot: Country boy Ivan arrives in Kingston, Jamaica to seek his fortune but finds life hard. He lands a recording contact with a crooked record producer but the producer short-changes him. He starts smuggling cannabis with a friend which alerts the police to him. Ivan is soon Kingston's Most Wanted Man but when the record publisher puts out Ivan's records to cash in, he becomes a Robin Hood figure to the public... but the police are closing in...
Five memorable numbers: THE HARDER THEY COME, YOU CAN GET IT IF YOU REALLY WANT, SWEET AND DANDY, PRESSURE DROP, 007 (SHANTY TOWN)
It is interesting how this list is repeatedly throwing up the problem of whether it is the material or the production that makes it stay on my list of favourite musicals; here it is probably the former as Kerry Michael's wonderful production brought me back several times. The production was first staged at the Theatre Royal, Stratford East by Artistic Director Michael and was so successful it transferred to the cavernous Barbican Theatre and then to the more intimate Playhouse Theatre where sadly it could not find an audience - apart from us! However the show proved successful on a UK tour and made it to NY and Canada too. The original film's director Perry Henzell had written the first version of the stage musical but sadly died in 2006, the year it was first staged. The show is told in flashback: Pedro is hosting the Nine Night wake for the sorrowing friends of Ivan and their collective thoughts take them back to the day when he arrived fresh and naive from the country on the mean streets of Kingston. The production was played on an empty stage, the onstage band upstage surrounded by the tables and chairs that made up the scenery, the walls of the stage painted in faded red, gold and green, for all intents like a drab church hall - they even projected a scratchy print of Franco Nero in DJANGO on the back hall during the interval. The joy of the show was the wonderful cast - Rolan Bell was wonderfully charismatic as Ivan and the show gave marvellous opportunities to three black actors who have mostly worked in UK black theatre, film and tv since the 1980s - Marcus Powell was deliciously slippery as Hilton the corrupt record producer, Victor Romero Evans was splenetic as the preacher who makes Ivan's life misery when he first arrives in Kingston (although we also saw him play the laid-back Pedro at the Barbican) and Chris Tummings was fantastically scary as Roy Pierre, Kingston's chief of police and also was responsible for one of the night's highlights, singing a storming version of Toots and The Maytal's PRESSURE DROP. It was a show that, again, highlighted the wealth of UK black performers and also delivered a wonderful immersive, inclusive night every time.
As usual there is not much video available on the stage version of THE HARDER THEY COME but luckily for me the legendary Jimmy Cliff came along one night to see the show based on his film and he joined the hard-working cast onstage for a reprise of the title song! Go deh!
