First performed: 1994, Plymouth Theatre, NY
First seen by me: 1996, Queens Theatre, London
First seen by me: 1996, Queens Theatre, London
Productions seen: three
Score: Stephen Sondheim
Book: James Lapine
Book: James Lapine
Plot: In the 1860s, a young Captain in the Italian army is transferred to a remote outpost, leaving his mistress in Milan. While there he becomes the object of obsessive desire for a withdrawn and sickly woman, his Colonel's cousin. Her passion repels him but love is a strange thing...
Five memorable numbers: LOVING YOU, I WISH I COULD FORGET YOU, HAPPINESS, I READ, FINALE
Sondheim's deeply intense musical - based on a novel by Iginio Ugo Tarchetti and the Italian film adaptation by Ettore Scola - can leave you feeling claustrophobic at times; it is relentless in it's exploration of the mysterious power of love with hardly any humour to leaven it. A remarkable chamber musical, it slowly ebbs into your mind as you watch Giorgio - a man who has always been in control of his love life - become enmeshed and undone by Fosca's unrelenting passion. I had been swept away by the Broadway cast recording but was left somewhat cold by the London premiere where a torturous Maria Friedman and somnambulist Michael Ball rattled around the large Queens Theatre stage but subsequent smaller-scale productions have hit the show's emotional core, culminating in Jamie Lloyd's excellent Donmar production in 2010 which pared the basilisk-stare of Elena Roger's Fosca against the emotional fragility of David Thaxton's Giorgio.Here the original Fosca, Donna Murphy, casts a spell with LOVING YOU, the score's emotional peak..
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