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Back in 1982 at the National Theatre, Richard Eyre staged a version of BEGGAR'S in the Cottesloe while in repertory with his legendary production of GUYS AND DOLLS and SCHWEYK IN THE 2ND WORLD WAR at the Olivier. If I wasn't in my favorite front-row seat for GUYS I would be in the Cottesloe enjoying the remarkable company take on this famous satire of morality and justice, brought forward to the Victorian era.
Headed by Paul Jones' swaggering Gorbals Macheath, he was superbly matched by Harry Towb's Belfast Mr. Peachum, June Watson's Una O'Connor-ish Mrs. Peachum, David Ryall's Mr. Lockit, Kevin Williams' scene-stealing Filch, Belinda Sinclair's lovelorn Polly Peachum and, above all, Imelda Staunton's terrier-like Lucy Lockit - spitting venom one minute, tremulous with love the next. Her version of "I, like the fox, shall grieve" will never be bettered.
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Lucy Bailey's production places the action back in 1728 when it was first staged and is aided immeasurably by William Dudley's clever design - framing the action under two large Tyburn gibbets and utilising two large tumbrels fashioned into various settings.
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Maybe it was the surroundings, I didn't feel the park setting helped the grimy and Olde London atmosphere that this show demands. The tone also seemed to strain too hard with it's acknowledged Hogarth inspiration being laid on with a very heavy trowel in the first half. The show settled down in the second half with the appearance of the First Family of Newgate, the Lockits.
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