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Poly Styrene has always been a bit of a heroine of mine, a genuinely original voice and a living example of the punk ethos that was liberation across race and gender. Of course it didn't actually pan out like that but it was a time when anyone could make their mark and was there a more day-glo mark than the Spexters?
In their world of shrink-wrapped, shiny, plastic disposable consumerism Poly was the focal point - a short, half English-half Somali girl with braces on her teeth with a voice like a police-siren singing songs of a wipe-clean world where emotions struggle to set free. There was no one else like her.
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I saw them once at the first Rock Against Racism gig in April 1978 where Poly surprised the crowd with a mumsy jacket and skirt and a scarf wound round her head so I was excited to see how they would present themselves now.
After the rather oppressive atmosphere at Hammersmith for the Sex Pistols the feeling at the Roundhouse was one of bubbling expectant excitement. Out of the darkness a quiet voice said "Some people think little girls should be seen and not heard but I think.... OH BONDAGE UP YOURS!" and with a blaze of light we were off on a non-stop charge into X-Ray Spexland!
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The band's sound was delightfully rough and chaotic and Poly's voice still had the power to knock down doors! My highlights were a mighty IDENTITY, a tranquil GERM FREE ADOLESCENCE, ART-I-FICIAL, LET'S SUBMERGE, I CAN'T DO ANYTHING was as gloriously balmy as ever, HIGHLY IMFLAMMABLE and a storming version of I AM A CLICHE which had the crowd at the front of the stage seething, pogoing, moshing and surfing.
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So there you go, even a long schlepp home and an eternity waiting for a poke of chips did not dampen our pleasure at seeing and hearing Poly 30 years down the line, still as vibrant and now as ever!
By the way the good news is that Owen is possibly due to be allowed home today from St. George's in Tooting. So... in on Sunday, op'd on Monday, out on Tuesday. I'm sure if they could do the op through your letterbox they would.
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