Exit Through The Giftshop - Pictures At An Exhibition #18

Memories from when galleries and museums were open...

1) SELF PORTRAIT WITH CERISE RIBBONS (1782) - Elisabeth Vigée Le Brun

 

This was bought at the wonderful Le Brun exhibition that was on at the Grand-Palais in Paris which I saw in 2016, the first ever retrospective of her portraits both pre- and post-revolution.  

Elisabeth, aged 27, looks out at us fresh-faced and apple-cheeked, a vision of prettiness with her hair tumbling naturally to her shoulders.  Her soft white dress as accenuated by the bright cerise pussy-bow and sash, and the black lace shawl and jaunty plumed hat.  For a working portraitist, it also served as unoffical advertising, showing the fashionable women of Paris that she could paint them like this too.

2) LADY AGNEW OF LOCHNAW (1892) - John Singer Sargent

A century on from Le Brun, the society painter of choice was John Singer Sargent who, like Elisabeth, gave the sitter exactly what they wanted only with more insight.  The commission came through from the 9th Baronet of Lochnaw Castle to paint his wife Gertrude (née Vernon).  I bought this at the National Gallery of Scotland where she sits in residence.

A glorious portrait, Sargent always managed to give the impression of capturing his subjects 'live', negating the length of time it would have taken to paint.  Her full white dress is accentuated by the mauve sash which also ties in the tones of the silk backdrop and French upholstery of the chair.  She holds a white rose in her lap and languidly drapes her arm over the arm of the chair to hold the chair frame.  She stares directly at Sargent and at us, almost saying "Kiss all this opulence...".

3) STATUE OF EBIH-IL (circa 2400 BC) - unknown

This glorious chap is Ebih-Il, the superintendant of the ancient city of Mari, now in Syria, sculpted at his prayers.  I made his acquaintance at the Louvre in Paris where he is currently residing.  He was discovered in 1934 by French archaelogist André Parrot at the site of the temple of Ishtar.

He is seated on a whicker seat and wears a bulky skirt of animal skin. What makes it stand out however is the marvellous rendering of his face with his happy smile and the vivid blue of his lapis lazuli eyes.  He stands - or sits - just over 20 inches tall and I would head straight for him when the Louvre let me run around with a shopping trolley.

4) THE RAISING OF THE SON OF THEOPHILIS (detail) (1428-1484) - Masaccio and Filippino Lippi

Part of the marvellous fresco cycle which adorn the walls of the Brancacci Chapel within the Church of Santa Maria del Carmine in Florence.  The frescos can only be viewed on short timed visits through the cloisters next to the church so the vibrant paintings are not damaged by constant visitors.

I was immediately drawn to this group of observers who rather dispassionately are watching Saint Peter raise a young man from the dead.  Their faces are remarkable and you will definitely have seen them walking along the streets of Florence to find the church of Santa Maria del Carmine. My personal favourite is the man second from the right, turning to his neighbour with a resigned look on his face. Work on the frescos started in 1425 by the painter Masaccio but he stopped when he had to travel to Rome in 1428 where he died aged only 27.  Filippino Lippi completed them 55 years later!

5) THE LAOCOON GROUP (possibly circa 27BC and 68AD) - unknown

One of the most iconic works of art, it's wonderful to see it in 'the marble' and to realise you are looking at a statue that Pliny The Elder wrote about.  If Laocoon and the lads hadn't suffered enough, they are missing a couple of limbs - and a bit of upraised snake - but it does not detract from the overall power of the work and your feeling of helplessness observing it.  The postcard was bought at the Vatican where the statue stands in the Pio-Clementino Mueum.

The Trojan High Priest Laocoon's fate was written about by Sophocles in a now-lost tragedy and by Virgil who tells of him throwing a spear at the Trojan Horse and being killed along with his sons by venomous snakes sent by the god Poseidon.  Sophocles had another take on it and sexed up the tale by having the gods send the snakes to kill his sons in revenge for him breaking his vow of chastity to the god Apollo.  The huge statue was re-discovered in 1506 and Michelangelo was one of the first to inspect it - you can definitely see the influence in his work.  The statue's actual date is still widely open for conjecture and there is no definite idea if it is Greek of Roman.  What most - apart from silly old John Ruskin - are agreed on is it's tragic power.

Exit Through The Giftshop - Postcards at an exhibition....

Another selection of postcards that have grabbed my eye at exhibitions and galleries...

1) HANGING LAMP (1905) - Francesc Berenguer

Bought at Parc Guell in Barcelona, this monumental hanging light is in the Casa Museu Gaudi, the impressive house where Gaudi lived, now a museum.

The architect Francesc Berenguer designed the four storey house within Parc Guell, as part of the hoped-for garden city in north Barcelona envisioned by industrialist Eusebi Guell and architect Antonio Gaudi, but the project stalled in 1914.  The park and the houses are, of course, essential viewing in Barcelona.

2) The HONOURABLE MRS GRAHAM (1777) - Thomas Gainsborough

I bought this in the Scottish National Gallery where Mrs Graham stands in splendid isolation, it was bequeathed to the gallery by Mr Graham on the proviso that it never leaves Scotland.

Gainsborough painted the 20 year-old Mary Graham, who had married a Perthshire landowner aged 17, in the height of expensive fashion as she gives some serious side-eye in the usual Arcadian landscape.  Sadly Mary died aged only 35.

3) A CONVERSATION (1916) - Vanessa Bell

Another Courtauld Gallery purchase!  This was to tie-in with their 2009 exhibition "Beyond Bloomsbury: Designs of The Omega Workshops".  I love this painting!  

Three women sit closely together ignoring the delights of the sunny garden outside to have a good gossip, I suspect someone's ears are burning somewhere.  Virginia Woolf said of her sister that while she was a remarkable painter, that she was also "...a short story writer of great wit and able to bring off a situation in a way that rouses my envy."

4) LA TENDRESSE MATERNELLE (1786) - Élisabeth Louise Vigée Le Brun

This magnificent work of self-promotion by Madame Le Brun shows her with her beloved daughter Julie aged 6, showing that despite being a portraitist to the ruling classes, she was still a loving mother (and a fine calling-card if you wanted a similar portrait) 

This was bought at the Louvre where Elisabeth and Julie are on display to all, Three years after painting this, the French Revolution drove Le Brun into exile with Julie.  In the ensuing 12 years, she moved from Italy to Austria to Russia, surviving on her talent and the good graces of their ruling classes through her reputation as Marie-Antoinette's unofficial painter.  She finally was allowed to return to France and died 40 years later, aged 86.  What a woman!

5) LE RADEAU DE LA MÉDUSE (1819) - Théodore Géricault

 

 

This was bought in the Louvre where the painting is on permanent display, Géricault's powerful epic still has the power to move and appal.  Originally called Shipwreck Scene when Géricault painted it aged only 27, he based his painting on a real incident in 1816 which was still fresh in the collective memory in France.

The frigate Medusa, carring 400 people, ran aground off the coast of West Africa and only had space for 250 people in it's lifeboats.  A raft was cobbled together and 147 attempted the 60 mile journey to the coast but when finally rescued, only 15 people were found. They told of the horror of survival: the others had fallen or been thrown into sea, and those that had starved to death on board had been cannibalised.  Géricault captures the moment when a ship is spotted on the horizon, the panicked attempt to attract it's attention is shown in the sweeping triangular movement up to the waved material, meanwhile those in the foreground are beyond help.

Exit Through The Giftshop - Postcards at an exhibition....

More adventures in museum and exhibition gift shops...

1) NAKED MAN STANDING (1505-6?) - Michelangelo

Although this postcard is published by the Louvre I have an idea I bought it at the British Museum in 2010 for their Italian Renaissance Drawings exhibition.

Michelangelo's pen and ink sketch wonderfully conjures solidity and muscle out of thin air; even The Louvre are unsure of exact dates for the drawing or what it might have been a sketch for.

2) THE ARTIST'S GARDEN AT GIVERNY (1900) - Claude Monet

I bought this at the Royal Academy's 1999 exhibition MONET IN THE 20TH CENTURY which made me appreciate Impressionist painting for the first time as I was exposed to room after room of Monet's remarkable works.

A bed of vibrantly painted Irises lead you away from the painter to the seclusion of the tree-lined path by his house; another painting I just want to jump into!

3) LILY POND TABLE (1913) - Duncan Grant

The table design is attributed to Duncan Grant and I bought the postcard at The Courtauld Gallery's 2009 exhibition "Beyond Bloomsbury: Designs of The Omega Workshops".  It was a poor excuse for the actual table itself but I would have had difficulty hiding it under my coat.

This lustrous design really stood out against all the other exhibits and suggested the dark cool water beneath the lovely greens and oranges of the lily pads.  Roger Fry set up the Omega Workshop in Bloomsbury to give younger artists the opportunity to make art (and money) by designing and making objects for the home, surrounding yourself with beautiful furniture as well as paintings on the wall.  Along with Grant, artists who worked on and off for Omega in it's six years of trading were Vanessa Bell, Carrington, Paul Nash and Henri Gaudier-Brzeska.

4) DAVID TRIBUNE (1501-4) - Michelangelo

Another postcard from the Galleria dell'Accademia in Florence where Michelangelo's epic David stands in solitary majesty.  As you can see I do love a Michelangelo bloke in the nip.

DAVID was originally placed in the Piazza della Signoria beside the Palazzo Vecchio.  It stayed there for 369 years until it was moved to the Galleria in 1873.  One of the most famous bums in art.

5) PORTRAIT OF JEANNE KÉFER (1885) - Fernand Khnopff

I bought this a while ago at the Royal Academy's exhibition IMPRESSIONISM TO SYMBOLISM: THE BELGIAN AVANT-GARDE 1880-1900.  I love the charming delicacy of the painting of little Jeanne Kefér, dressed in her best to go out. The subdued colours of Khnopff's palette gives the picture an oddly luminous quality.

Five year-old Jeanne was the daughter of Khnopff's pianist friend Gustave; his positioning her in front of the large front door, along with her pensive expression, emphasizes her hesitancy in facing the outside world.

Exit Through The Giftshop - Postcards at an exhibition....

More postcards from exhibitions and galleries...

1) THE FOUNTAIN, VILLA TORLONIA, FRASCATI, ITALY (1907) - John Singer Sargent

This came from the recent marvellous National Portrait Gallery exhibition of portraits by John Singer Sargent.  In this atmospheric study, a woman has perched herself onto a stone ballustrade to paint her canvas, dressed for the outdoors in her veiled hat and white coat and dress with her brushes arrayed beside her.  Her companion relaxes beside her and Sargent has captured him either humourously regarding her painting or closing his eyes for a nap.  Behind them the fountain of the painting's title splashes away, matching the white of their clothes and contrasting with the lush green trees beyond.  A painting I could stare at for hours...

2) THE REBELLIOUS SLAVE (1513-15) - Michelangelo

From the Louvre in Paris, this is one of the two in Michelangelo's series of slave staues that is not unfinished and seeming to break free from the block of marble that surrounds it.  Here a bound slave - with the all-important swath of material over his groin - strains and twists to escape his fate.  The similarity facially to his David statue is very noticeable.

3) PORTRAITS OF BATTISTA SFORZA AND FEDERICO DA MONTEFELTRO, DUKE OF URBINO (1465-72) - Piero della Francesca

A double portrait of the Duke and Duchess of Urbino with their city spread out behind them which is one of the many treasures in the Uffizi Gallery in Florence.  Reality dictated their positioning as the Duke has lost an eye and was scarred on the right side of his face from a tournament which had also broke his nose.  The Duchess' jewels and brocaded dress accentuate her grave beauty.   Oddly the Duke and Duchess are also painted on the reverse on these double portraits in a different pose.

4) PORTRAIT OF GIACOMO DORIA (1533-5) - Titian

This imposing portrait by Titian confers on his sitter all the trops of power - the swaggering volumous black garment, the direct gaze of the merchant who was also a diplomat and the marble column he stands in front of.  This can be seen in Oxford's Ashmoleon Museum.

5) OH, JEFF... I LOVE YOU, TOO... BUT... (1964) - Roy Lichtenstein

One of Lichtenstein's classic Pop Art portraits in all it's garish Benday-dotted Magna colour, a picture that while celebrating the banalness of commercial art also holds it's own mystique.  Oddly enough, this exhibition felt unsatisfactory.

Exit Through The Giftshop - Postcards at an exhibition....

Now I have sorted out my scanner (bloody Windows 10!) here are some more postcards from exhibitions and galleries...

1) SOFA and CHAIRS (1898 - 1904) - Antoni Gaudi with Aleix Clapés

This came from the Gaudí museum at his home in Parc Guell, and features one of his furniture designs for the Ibarz-Marco family.  Now I love a couch and this one screamed "sit on me"!  Great art nouveau fin de siécle furniture and loving the big and boldly distinctive floral design.

2) HIPPOPOTAMUS (1981 - 1885 bc) - unknown

I spent ages walking around the Egyptian rooms in the NY Metropolitan Museum trying to find this chap as he featured heavily in the gift shop in many different shapes and sizes but eventually found him in a glass case along with other finds from the tomb of Senbi.  He is tiny so can be easily overlooked - I think he's gorgeous and would have him away if I could.  He dates from Ancient Egypt's 12th Dynasty.

3) MEDUSA (1595-8) - Michelangelo Merisi de Caravaggio

This is a detail of Caravaggio's magnificent depiction of Medusa's decapitated head frozen forever on Perseus' shield.  If you ever want to find it in the Uffizi in Florence just head for the exit and it is one of the last paintings you will see - just look for the permanent huddle of viewers around it.  A visceral, fascinating image to contemplate.

4) The WINGED VICTORY OF SAMOTHRACE (circa 190 bc) - unknown

How can something so solid and imposing also be so suggestive of movement and grace?  The white marble figure of Nike is awesome in all it's shattered majesty and a must-see when visiting the Louvre in Paris.

5) The BREWHOUSE, COOKHAM (1957) - Stanley Spencer

Bought at the charming Stanley Spencer Gallery in his hometown of Cookham in Berkshire, this is a wonderfully detailed painting of the late 15th Century listed building in the village.  You can fair hear the hum of bees and the clatter of plates coming through the open doorway as you marvel at Spencer's intricate handling of the foliage that softens the bricks and mortar of the house