Showing posts with label Anthony Perkins. Show all posts
Showing posts with label Anthony Perkins. Show all posts

Monday, May 25, 2020

DVD/150: PSYCHO (Alfred Hitchcock, 1960)

I envy anyone seeing PSYCHO for the first time, but countless viewings of it only draw me deeper into it's chilling spell.


Paramount refused Hitchcock's wish to film Robert Bloch's novel as they had already rejected the film rights and even claimed there was no space on the lot to film it.


But Hitchcock offered to film it at Universal using his ALFRED HITCHCOCK PRESENTS... television crew and taking 60% of the takings rather than his standard fee.  Paramount, sure it would flop, agreed to just distribute it.


What Hitchcock delivered was a disquieting masterpiece but it was met with mixed reviews and the 'Observer' film critic resigned rather than review it!


But audiences made it a huge hit, forcing most critics to re-review it favourably.


Hitchcock's orchestrating the viewer's sympathies makes PSYCHO a masterclass in storytelling and the performances of Janet Leigh and Anthony Perkins remain timeless pleasures.


Shelf or charity shop? Mrs Bates has been moved to the DVD equivalent of the fruit-cellar - my plastic storage box - but PSYCHO will be revisited again and again; of course a special mention must be made of Bernard Herrmann's extraordinary score; not just the iconic 'stab' theme but his under-scoring that bonds the viewer to the character of Marion during her guilt-ridden car drive and, more importantly, the hesitant, suspense music played as 'helpless' Norman cleans up after Marion's murder, subliminally connecting the viewer to him.

  
 

Monday, October 30, 2017

Dvd/150: The LAST OF SHEILA (Herbert Ross, 1973)

I first saw SHEILA in 1973 and immediately loved it's bitchy dialogue, intricate plot and in particular, the fabulous performances of Dyan Cannon and James Mason.


The thriller was written by friends, actor Anthony Perkins and composer Stephen Sondheim, both keen parlour game fans which reflects in the twisting plot and betrays a heavy gay aesthetic too.


Gossip columnist Sheila Greene leaves a Hollywood party after a fight with her producer husband Clinton but is killed by a hit-and-run driver.


A year later, Clinton invites six friends for a Riviera cruise on his yacht named 'Sheila'; scriptwriter Tom and his socialite wife Lee (Richard Benjamin, Joan Hackett), agent Christine (Dyan Cannon), director Philip (James Mason) and actress Alice with her manager-husband Anthony (Raquel Welch, Ian McShane).


Clinton devises nightly scavenger hunts but is his motive to discover Sheila's killer?


44 years on and I still love it...


Shelf or charity shop?  One of my all-time favourites... what do YOU think?